The Busconductor Hines
This chapter begins with an exploration of an overlook aspect of the widespread medieval humility topos, used by Chaucer, Lydgate, and other late medieval writers.
Novels by James Kelman
Far from simply expressing humility, the topos is often also used to invite readers to correct the text, thus laying the groundwork for a discourse of participatory reading in late medieval England. In addition, the discourse evoked by invitations to read nonlinearly illuminates how medieval writers conceived of their readers as agentive participants in the work of textual interpretation. Finally, nonlinear reading gives rise to concepts traced across subsequent chapters, relying as it does upon a discourse of mobility, space, and temporality.
Drawing on understandings of forensic and formal materiality developed to evaluate digital works, this chapter intervenes in assessments of medieval materiality to offer a fresh framework for its analysis. By turning to digital media theorists focusing on space, particularly those addressing architecture and embodied space, this chapter argues that the wall texts in their architectural frames elicit participation from readers whose bodies become the framers of knowledge as they move through and read the different estate spaces provided with wall texts.
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The Busconductor Hines () in: James Kelman
Advanced Search Help. The Busconductor Hines There are compensations, however, in his wife and child, and his eccentric, anarchic imagination.
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Kelman provides a brilliantly executed, uncompromising slice of Glasgow life - an intelligent, funny and humane novel. First published by Polygon in Fiction Literature. The Busconductor Hines Embed.
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ISBN 13: 9780904919776
In he attended creative writing night classes and in an American company published his first collection of short stories, An Old Pub Near The Angel. He has also written many plays for stage and radio.
He lives in Glasgow with his wife and family. Convert currency. Add to Basket.
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