Aim for the Heart: The Films of Clint Eastwood
The equally prolific Woody Allen comes closest to Eastwood as a creative double threat, but Allen makes the same movie over and over again, and he cannot act in any way, shape or form. And, unlike Woody Allen, the public actually likes Clint Eastwood. Though Eastwood is probably best known as the Man With No Name — the mysterious loner with the poncho and the cigarillo — he did not make all that many westerns, and none since Unforgiven in Unlike John Wayne, Randolph Scott and all the other great cowboys of yore, Eastwood has never made a bad western.
The Man With No Name materialised out of nowhere, with an uncertain pedigree and undefined motivation. He embodied the ethos of the s: I just want to be left alone to do my own thing, even if it means killing off half the population of Arizona. At a very early point in his career, Eastwood decided he was going to make his own films, blasting off with Play Misty for Me.
The meaning of Clint: what watching 40 Eastwood films has taught me
The premise of the five films that comprise the Dirty Harry series was that stupid or corrupt bureaucrats were making it impossible for honest, hard-working policemen to do their jobs. But, for those who might accuse Eastwood of being a generic rightwing neanderthal, this is also the premise of The Wire.
Unlike them, Dirty Harry had to change with the times, reluctantly coming to terms with feminism and minorities as the series progressed.
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Indeed, the racist, xenophobic, gun-toting old white guy in Gran Torino is basically Dirty Harry in winter. Eastwood has made violent films, arty films, heartwarming films and a handful of dimwit comedies.
Aim for the Heart
He has taken good books Midnight in the Garden of Good and Evil, Flags of Our Fathers and turned them into not-so-good movies, and he has taken treacly, idiotic books The Bridges of Madison County and turned them into something wonderful. Part of his secret is this: Eastwood never stops working; he is always on to the next project. When a movie flops, he climbs back up into the saddle and makes another one.
The hit Space Cowboys follows the dud True Crime. Sometimes, the magic works.
HOWARD HUGHES - Aim for the heart - Cinéma - LIVRES - uvimalimawer.gq - Livres + cadeaux + jeux
Eastwood is one of the few directors who got better as he entered his twilight years he is now In fact, he got a lot better. Most directors are playing out the string by the time they come to the end of the line, but this is not the case for him. Hereafter — his film about psychics in love — was a surprise that came out of nowhere. Bureaucrats are stupid. Attorneys are scum. Journalists, with few exceptions, are parasites. The law will not save you from evil-doers. Women need protection, even the ones who go around shooting men in the genitals. The film was entered into the Cannes Film Festival.
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The consensus reads: " White Hunter Black Heart is powerful, intelligent, and subtly moving, a fascinating meditation on masculinity and the insecurities of artists. The film has grown significantly in critical stature, especially in light of the films Eastwood made immediately afterwards. Many of these, like White Hunter, Black Heart , turned out to be self-reflexive and self-conscious works criticizing and deconstructing Eastwood's own iconography. Wilson to have been.
The result is "a running commentary on his two subjects, Huston and himself—the ruminations and questions of a free man. Sign In Don't have an account? Start a Wiki. Contents [ show ]. Retrieved on For months after seeing this film, I could only listen to Frankie Valli. The same happened to my mom. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
Back to IndieWire. David Ehrlich Feb 5, pm davidehrlich.
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